In March 2026, music analytics platform ChartMasters published what many in the industry had long suspected but never had the data to confirm: Wizkid is the best-selling African artist of all time. The Nigerian superstar has emerged as the highest-ranked African act on ChartMasters’ global “Best Selling Artists of All Time” list, with 13.18 million equivalent album sales recorded worldwide as of March 3, 2026.
The ranking places Wizkid at number 544 out of 641 artists listed globally. Among African artists featured on the chart, he holds the top position, while fellow Nigerian Grammy winner Burna Boy follows closely at number 547. It is a distinction that arrives not as a surprise but as a formal accounting of what his catalogue has been building toward for over a decade.
How the Numbers Are Calculated
ChartMasters generates its figures using its CSPC, or Comprehensive Sales Plus Consumption, methodology. The system aggregates performance across multiple formats including physical album sales, digital downloads, streaming equivalents, physical singles, digital singles, and album track consumption, with each format weighted to reflect its relative contribution to overall music consumption.
Wizkid’s total of 13.18 million combines figures from his studio albums and other long-form releases such as compilations, along with single releases and streaming data accumulated across his entire catalogue. It is worth noting that ChartMasters operates as an independent analytics platform that applies its own methodology to publicly available sales and streaming data, unlike certification bodies such as the IFPI or national chart authorities. The ranking is refreshed daily, meaning positions may shift based on new data or revised calculations.
A Catalogue That Built a Genre
His 2020 album “Made in Lagos” achieved massive success with over 2 billion streams across all platforms, making it one of the most-streamed African albums of all time. The project’s standout single, “Essence,” featuring Tems, became the defining crossover moment of the Afrobeats era. It reached platinum certification in the United States, marking the first Afrobeats song to achieve such status, and peaked at number 9 on the Billboard Hot 100, setting a new record for African music on a global scale.
The ChartMasters placement is only the most recent chapter in a much longer story. Born Ayodeji Ibrahim Balogun, Wizkid has carved out a legacy as Africa’s most commercially successful artist, dominating African charts while crossing over into the global music scene and becoming a cultural icon.
His collaborations with Drake, Beyoncé, and Justin Bieber have helped bridge the gap between Afrobeats and mainstream pop. His feature on Drake’s “One Dance” in 2016 was a turning point, propelling Wizkid to the international stage as the song became a chart-topping hit in over 15 countries and was streamed over 2 billion times on Spotify alone.
He is also the first African artist to receive the Brit Award recognising artists who have surpassed 1 billion audio streams in the United Kingdom, another signal of his sustained global influence.
The Streaming Era Confirms the Crown

Beyond physical and digital sales, Wizkid’s streaming footprint is in a category of its own on the continent. He has surpassed an estimated 20 billion global audio-on-demand streams, making him the first African artist to reach this milestone and underscoring not just his global appeal but the unstoppable rise of Afrobeats as a dominant genre in contemporary world music. STAR 94.5
He was recently included on Billboard’s list of the 100 greatest pop songs of the streaming era, becoming one of only three African artists featured.
His momentum in 2026 shows no signs of slowing. His collaboration with Asake titled “Jogodo” has spent 46 days at number 1 on the Spotify Nigeria Daily Top Songs chart, held the top position on the UK Official Afrobeats Chart for five weeks, and closed February as the most-streamed Nigerian song of the year so far with 34.2 million streams. Their joint EP “REAL” has also surpassed 80 million streams on Spotify.
A Milestone With Historical Nuance
The recognition is significant, though music historians are careful to situate it within a broader timeline of African excellence. Icons such as Fela Kuti, King Sunny Ade, Brenda Fassie, Hugh Masekela, Angelique Kidjo, Salif Keita, Oumou Sangaré, and Youssou N’Dour all recorded significant commercial peaks, though comprehensive historical data for their eras remains limited.
Prince Nico Mbarga’s 1976 classic “Sweet Mother,” for instance, reportedly sold 13 million physical copies, ranking it among the best-selling singles globally. These are figures that, had digital tracking existed at the time, would have told a very different story. The ChartMasters ranking, by its own design, reflects the streaming era more than any universal measure of all-time commercial impact.
What it does capture, without ambiguity, is where African music stands right now. Wizkid’s success together with other notable artists has been paved the way for a new generation of Afrobeats stars including Tems, Rema, and Ayra Starr, who are now enjoying international breakthroughs of their own. By breaking barriers and records, Wizkid is setting new industry standards and redefining what it means to be an African artist on the world stage.
What the Number Means
There is a temptation, in moments like this, to treat a ranking as an endpoint. It is not. For fans and industry watchers alike, the ChartMasters placement feels less like a surprise and more like confirmation of what the numbers have been saying for years: Wizkid’s influence stretches far beyond borders, and his commercial impact continues to set the pace for African music globally.
The milestone belongs to one artist. But the moment, and what it signals about the reach and power of African music, belongs to an entire continent.
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